A comparison of two poems by Robert Frost: “Ghost House” and “A Cabin in the Clearing”

The frontmost of the ii metrical compositions, sand of touch Ho drill is formally structured. It is do up of six stanzas, each with five lines. It has a strict rhyme scheme the rootage, jiffy and last lines of each stanza rhyme, as do the trinity and fourth lines. This constrains 2 white rhyming couplets in each stanza, with the nett line appearing disjointed as if it were an addition. This echoes the sen snipnts of functioning, in crinkle with isolation and l bingleliness, that frosting bringes in the schoolbook. The footprint of this poesy is constituted immediately by the claim.Although it is a unremarkably used phrase, and is also quite brief, the course weirdie theatre cast off loath somewhat and frightening implications. The poet has created an eerie mood in the poetry that is contributed to by the use of the cashier character, the unk in a flashn I. The question of who, or what, this character is has been intentionally left nonreciprocal by Frost , as well as many other questions. This encourages the reader to cypher more than deeply about the poesy, as the answers atomic issue forth 18 non obvious, and in to the highest degree cases not revealed at all.Unanswered questions impregnate in the reader a mavin of instability and confusion, which serves to enhance the atmosphere of the verse form. As these be the feelings expressed by the teller character, this creates empathy. The subject of the verse is the habitation where the bank clerk lives, or dwells, and the blunt clan that piece of ground it with him. Central to the poem is the position that the erect has vanished and that record has returned and reclaimed the land where it at one time was. The instinct of the passage of time, and the inevitability of life, populace and remnant, is a estimation common to oft of Frosts work.In this poem the reader is told that the slew up was destroyed many a summertime ago. Although the circumstances touch the destine of the kins category argon unclear, it is suggested that a essential disaster was the cause. Use of the explicate vanished implies that the field of operations was destroyed suddenly, and the fact that it left no trace but the basement walls suggests a disaster such as a fire, especially as the poem is apparel in America where wooden houses are common. Imagery is used, as a cellar in which the daylight falls is depicted, and the raspberries suppuration on the internet site are describe as purple-stemmed.These images involve the reader in the poem, and highlight the combination of human influences and personality that is happening. The reader is given the essence that nature is the controlling force in the situation, that nature is infinite and perpetual, and pile are undistinguished in comparison. While they may surrender made an impact on their environment, nature has quickly erased it, as the tract down inwardnessed to the well is corned. The give v oice healed is an emotive one as it has connotations of pain, implying that the footpath was a wound on the embellish that has now been restored.It is a reminder of the fact that when we die it does not change the valet de chambre nature carries on, and we are soon forgotten. passim the second stanza there are examples of the site returning to its natural state, as the woods come back and the trees grow freely again. in that location is a experience of protection, with the use of the word shield to describe the grapevines suppuration over the fences. Nature is shown as a regenerative force as well as a destructive one. In the third stanza there is a repetition of the word vanished, referring to the house it is exposit as a vanished abode.This reinforces the unusual situation of the vote counter, that he lives in a house that does not exist. The vote counter describes his strangely aching heart. This is a powerful quality, as the word aching describes a physical sensation , which is more effective than a purely worked up one, and a sense of pain is indicated. on that point bes to be a liaison amidst the storyteller and the house, he relates how the house is link to the rest of the world by a disused and forgotten road mayhap indicating that this is how he feels, that his connection with the world has been destroyed, and that he himself is forgotten.Imagery is used end-to-end the poem, as Frost describes the area surrounding the house, and the stones out under the low-limbed tree, presumptively gravestones, that have been covered by mosses so that the names cannot be read. This conveys a sense of mystery, as the reader is not inform to whom the stones belong. There are a number of themes that recur through the text. The last two stanzas are primarily concerned with the unsaid folk, who cohabit the house. They are introduced abruptly, relatively late in the poem.They are mentioned casually, and it appears as if the narrator makes the assumpti on that the audience is already aware of their existence. This indicates that they are a steadfast battlefront in the narrators life, and are a concern to him. It is not clear who, or what, these passel are, just as it is with the narrator. This sense of confusion is reinforced many times. There is an entire stanza devoted to the apparently immaterial whippoorwill. This could be plain to create atmosphere, and to contrast with the shock of the next stanza in which the dense folk are introduced.The mute folk are described as tireless folk, but slow and sad with the possible partial exception of two individuals, referred to only as lass and swain. It is possible that these two people are not as sad as the rest of their peers because they have a connection they belong to each other. One theme of the poem is loneliness and isolation. The house is described as unaccompanied and the road as forgotten. The narrator is a lonely character, isolated from the world and unable redden t o authorize with the mute folk. It appears that the narrator has no home, that he does not belong anywhere.Even the house where he dwells is not described as his he calls it a house I endure and does not claim that it belongs to him. It is assumed that the title of the poem refers to a house inhabited by ghosts, but it could refer to the ghost of the house or the memory of a time when the narrator had a home, and a sense of belonging. There is an eerie sense of termination in the text. The word vanished is repeated, indicating a presence which was, but is no longer, there. The abruptness with which the house vanished leads to the assumption that death was involved that people died in a disaster of some kind.In the third stanza there is a reference to the night, often used as a metaphor for death. It is expressed simply as Night comes.. and this supports the suddenness of death in the poem. The narrator describes his environment as the unkindled place. Although this could be a l iteral reference to the house, darkened now that night has fallen, it could also mean that the unlit place is death, and the fact that the mute folk share the place means that they are also dead. There is an obvious reference to death in the mention of the stones or gravestones.The second poem, A confine in the Clearing, has a similar tone to the first poem, and addresses similar issues. However, the two poems have very antithetical forms. In contrast to the structure and rhythm of Ghost kinsfolk, the second poem appears to be constructed in a much more ergodic way. This is partly due to the conversational ardour in which Frost has chosen to write. As a result of this there is no rhyme scheme to the poem, and no set stanza format. The poem is made up entirely of dialogue mingled with two characters, sully and smoke.In the first poem the title influences the tone of the poem easily as it affects the way that the rest of the poem is read. In the second poem the title is more vague, and although it sets the scene for the rest of the text it does not establish mood in the same way. The title of this poem uses the distinct article the when referring to the alter, and the indefinite article a when referring to the cabin. This places emphasis and importance on the alter and detracts from the influence of the people on the landscape, as the cabin is manmade and the clearing is natural.The subject of this poem is the sleepers, presumably the inhabitants of the cabin in the clearing. They are present in the poem from the start, as the character of mist states, I dont believe the sleepers in this house know where they are. The two characters seem to hold varied opinions of the sleepers, with mist appearing more accusive and demanding of them, while smoke is more sympathetic. twain narrators appear not to understand the actions of the people There are many similarities between the two poems. Both have narrator characters, and the perspective of these chara cters is the same.In Ghost House the narrator is an observer of the mute folk, while in the second poem the narrators are observers of the sleepers. However in the first poem there is only one narrator, who expresses one view, and in the second poem there are two narrators who express two different and slightly impertinent views. The narrators in the two poems have different attitudes towards the people that they are watching. In the first poem the reader is given the impression that the narrator would like to communicate with the mute folk but is unable to.In the second poem it seems as if the narrators could communicate with the sleepers if they wanted to, but they choose the grapheme of observers voluntarily. However in both poems the narrators seem removed from the world of those they observe. In Ghost House this removal becomes isolation, and the audience is made to feel more sympathetic towards this narrator than the equivalent characters in A Cabin in the Clearing, as in th is poem the narrators have a bail with each other, and are not as dependant on the sleepers